Thor: Love and Thunder

I had the opportunity to design a few Characters for Thor: Love and Thunder at Odd Studio. Thanks to Creature/Prosthetic Designer & Supervisor Adam Johansen for bringing me on board.

The Empty Man

Back in 2016, I was recommended by Alec Gillis, which led to my collaboration with director David Prior in bringing The Empty Man to life. Guided by David's notes, I designed and sculpted the cave skeleton and contributed to the "manifestation" creature. The Empty Man is based on the comic book series created by writer Cullen Bunn and artist Vanesa R. Del Rey, published by Boom! Studios.

Aquaman and the Lost Kingdom

Sequel to the 2018 film ''Aquaman''.

The Tomorrow War

Back in early 2019, I had the pleasure of collaborating for several weeks with director Chris McKay and production designer Peter Wenham to design the menacing White Spikes. My concepts served as the base look of the creatures, which were later brought to life with the talented teams at Weta Digital, Luma Pictures, Framestore, Method Studios, and Spectral Motion.

Godzilla vs. Kong

In 2018, I had the pleasure of joining the design team at Amalgamated Dynamics, Inc., where we worked on the hollow earth creatures for the film. Our team, led by Alec Gillis and Tom Woodruff, included Bryan Wynia, Justice Joseph, Xander Smith, and myself. I was specifically responsible for designing the "Rock Critter" and an unused swamp creature called "Shimidah."

Detective Pikachu

I spent several months at Framestore creating highly detailed 3D concepts for characters including Mewtwo, Greninja, Charizard, and many others!  

Godzilla: King of the Monsters

It was a thrill helping re-imagining some of the most iconic monsters in film history. I was tasked to produce some early design explorations at Studio ADI, to find a new, original and realistic look for these beloved creatures.

Fantastic Beasts: The Crimes of Grindelwald

The second installment of the "Fantastic Beasts and Where to Find Them" franchise which follows the adventures of Newt Scamander in the mythical world of Harry Potter.

The Predator

A sci-fi showdown of one of pop culture’s most iconic Alien. I worked on some early designs for the film at Studio ADI, while the script has been written. I was tasked to produce designs for the Emissaries, the Upgrade and the predator dogs.          

The Death Cure

I was thrilled to contribute to all the films in the Maze Runner trilogy. For the third installment, director Wes Ball entrusted me with designing the menacing character Lawrence, portrayed by Walton Goggins. StudioADI and Weta Digital then brought my design to life through makeup effects and digital nose removal.

Bright

Humans, Orcs, Elves... everybody is just trying to get along in the Netflix film Bright. I helped designing the Orcs at Studio ADI with the art direction of Alec Gillis and Tom Woodruff Jr. Bringing the Orcs to life was a team effort of many talented artists.

IT

I had the pleasure to help developing the final look of Pennywise the Clown at StudioADI, who also made the prosthetics for the film. Creating a reinterpretation of Stephen King's iconic creation was a group effort of many talented artists.

Nissan Rogue - Snake

I collaborated with director Rich Lee in the very early stages of the production, helping to visualize the look of the Tire Snake which attacks the NISSAN Rogue. The final commercial was directed by Gerald McMorrow.

Volkswagen - Alien

I had the pleasure of collaborating with the SWISS team on this Volkswagen commercial. The creatiure design was a collaborative effort between myself, responsible for the body, and artist Leo Wilk, who handled the head design. I then translated the approved design into a 3D model.

Scorch Trials

In 2014, director Wes Ball invited me to collaborate on his next project, helping to establish the look of the Cranks. As one of the film’s original designers, I laid the groundwork for their design. Later, the talented teams at StudioADI and Weta Digital brought the Cranks to life through both makeup and CGI effects.

The Maze Runner

In late 2012, director Wes Ball offered me the opportunity to design the mechanical creatures known as Grievers for the film. I also contributed to the design of several other elements, including the Maze, Beetle Blade and Cranks. As the project evolved, Method Studios came on board and brought my designs to life.  

CREATURES

Explore animals and creatures from other worlds! 

GRANDMA LUCY

"Grandma Lucy" is an unrealized film project for which I crafted several concept designs back in early 2011. The project was envisioned as a post-apocalyptic horror film with an eerie elderly female creature as the central antagonist.

SKETCHBOOK

I love to work with a simple pencil and paper. I can't imagine my working process without these tools.

CHARACTERS

Whether fantasy characters or aliens, I love designing them.

CARTOONS